A Painter Without Her Paint: Laos

 

I should say that I am a pretty...particular...painter. I am slow. I take months to finish a painting. I find myself spending lengths of time making the tiniest adjustments to a painting to make it just right. Just so. I love the process and I love searching for that punch in the gut that happens when you nail it (rare, by the way) but it can be frustrating to work day in and day out, for hours, and not have finished pieces to show for it more often. 

The photos above, though thought about and considered, are snapshots in comparison to how long I labor over a painting. They are awkward. Angles seem off and shapes and colors are disproportionate to what I usually create in my paintings. They are mostly vertical while my paintings are mostly horizontal in reference to the landscape. I'm thinking about this discrepancy, and trying to figure out what these, and other,  tendencies mean. 

While my paintings don't look anything like the compositions above, they are helping my painting. This attraction to things being "off" is nudging me into some new territory, where I am letting go a bit, allowing things to be as awkward in my paintings as they are in reality.

It's all really, very exciting. 

Eventually, you'll get to see the paintings that result from all of this. Just you wait...I'll wait too. 

Forever yours,

Beatrice

A Painter Without Her Paint: Thailand

I took over 4,000 photographs while away - it would have been more if I hadn't lost my camera. I wasn't drawing or painting but I was constantly taking photographs that I knew I'd use later for painting reference. About half my photos are documentation of things I experienced, the other half are more...compositional studies. Below are some that I took while in Thailand. Eventually I'll post ones from all of the countries. 

I go through my photos at least every couple of days and it makes my heart ache a little each time. I miss these places. Going through and posting and writing about them slowly has become another way for me to process the experience. I'll be posting them along with painting developments. 

Thanks for reading and looking.

Your Friend,

Bea

Various States

It's hard to put photographs of unfinished paintings online, but I wanted to let you all know I am hard at work and painting, painting, painting. It has taken some time to remember how I best function in the studio (two months of no painting is disruptive, who knew?) but I am feeling the rhythm return. This is a good thing...I've got a solo show to prepare for...

So, above is evidence of how I'm spending my time. IN PROGRESS! BE KIND! 

Love,

Bea

Truth and Beauty

I memorized this poem in high school and find myself repeating it a lot. I thought you might like it.

I died for beauty, but was scarce
Adjusted in the tomb,
When one who died for truth was lain
In an adjoining room.

He questioned softly why I failed?
"For beauty," I replied.
"And I for truth - the two are one;
We brethren are," he said.

And so, as kinsmen met a-night,
We talked between the rooms,
Until the moss had reached our lips,
And covered up our names. 

- Emily Dickinson

Always on my Mind

I've been thinking about this bush for over a month now. I saw it at the Royal Palace in Hue, Vietnam. It was just sitting there, a glaring example of so many things I've been thinking about and haven't really figured out yet. It's got something to do with futile efforts and physical evidence of a private moment or action - in this case, abandoned effort and enthusiasm. We are constantly walking away from things thinking we've gotten it under control, when really, we never will. 

It's awkward and heartwarming and human and a little sad. 

Who's with me?
Bea

Inspiration for Creation

This is Ha Long Bay in Northern Vietnam. It is extremely touristy there and did not have the hit in the face magic I was expecting. As I distance myself from the experience though, I realize that the three days I spent floating, hiking and kayaking through this area has made itself known in my heart and brain and isn't going to leave.  

These beautiful forms were stoic, otherworldly, quiet, solid, seemingly ever-present limestone formations that will be gone one day, destroyed by the same processes that created them. How can they feel so powerful and permanent but at the same time so intangible and elusive? The floating village, also fleeting, was colorful, moving, fluctuating, human, and alive. Seeing the two co-exist in such stark contrast made the other that much more magnificent.  

Why are the most important things in life the hardest to define and understand? 

Off to paint with this on my mind.

Heading Off to Paint...

... and these images are on my mind. 

I have to get a bit more used to being back before I can even fathom the impact the last two months will have on my painting. I'm not going to pressure myself to try and see a visual influence in my work right away (or maybe ever). I know there are some things you can't un-see, things that find their way into your bloodstream and stay there, eventually making themselves known in ways you never could have expected. I also know I just saw a whole shit load of those things. Below are just a few.

All of the photos above are from Thailand. In order: A view from the  ferry to Wat Arun in Bangkok, amazing light as the sun goes down over Ayutthaya (Thailand's former capitol), just another boring storefront, the kids that helped us cook while jungle trekking, and monk laundry.

More soon, 

Your devoted Beatrice.